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Overview Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953):

Abbott and Costello, two bumbling American cops on exchange in London, hunt for Mr. Hyde—the monster that has been terrorizing the city.

Casts of Abbott and Costello Meet Dr. Jekyll and Mr. Hyde:

Bud Abbott, Lou Costello, Boris Karloff, Craig Stevens, Helen Westcott, Reginald Denny, John Dierkes, Eddie Parker, Patti McKaye, Betty Tyler

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Title: Abbott and Costello Meet Dr. Jekyll and Mr. Hyde
  • Released: 1953-08-01

  • Genre: Comedy, Horror, Science Fiction

  • Date: 1953-08-01

  • Runtime: 76 Minutes

  • Company: Universal International Pictures

  • Language: English

  • Budget:

  • Revenue:

  • Plot Keyword : Comedy, Horror, Science Fiction

  • Homepage:

  • Trailer: Video Trailer

  • Director: Russell A. Gausman, Rosemary Odell, Eric Orbom, Bud Westmore, Robert Louis Stevenson, Charles Lamont, Grant Garett, John Grant, Lee Loeb, Howard Christie
Read More About Abbott and Costello Meet Dr. Jekyll and Mr. Hyde
Middle tier A&C picture boosted by Karloff's looming presence.

Abbott and Costello Meet Dr. Jekyll and Mr. Hyde is directed by Charles Lamont and loosely based on the novel The Strange Case of Dr. Jekyll and Mr. Hyde written by Robert Louis Stevenson. It stars Bud Abbott, Lou Costello and Boris Karloff. Plot finds Bud and Lou as two coppers in old time London who become involved with the hunt for a monstrous killer. A hunt that brings them into contact with the mysterious Dr. Jekyll.

It would be the fourth from last movie the popular comedy duo would make together, and the latest to see them paired with a famous monster from 30's cinema. Although it's a touch weak in the comedy stakes, and it does kind of feel like they are winding down after such a fruitful career, the film holds up well as a polished picture. The writers have varied the Jekyll & Hyde legend by actually having Jekyll himself be evil, wonderfully essayed by Karloff, and a couple of sequences are genuinely laugh out loud funny: think mouse head, think hypodermic needle; while the involvement of the Suffragettes in the story gives it some historical interest. It's also good on atmosphere, be it the moody streets of London, or Costello alone in a wax museum, Lamont and photographer George Robinson give it a creepy veneer before the anarchy breaks out.

Unlikely to encourage new fans to their work, but a safe addition for those who enjoy the majority of their output. 7/10